Showing posts with label blog to the future. Show all posts
Showing posts with label blog to the future. Show all posts

Friday, June 3, 2011

And now... FUTURE background characters!

Isn't this always the way things work? I scramble to get enough background characters for the latest strip, make the last post, take a loooooong nap and wake up... to find the forum finally came through for me! Now I suddenly have twice as many characters as available spots! I'm letting the first batch stay in the strip, but I wanted to reward the forum people for participating by sketching up their suggestions anyway. After all, it's only a matter of time before these folks will be called upon.



The sheepdog cameraman is actually the 5th background character I mentioned in the last post, so he will be appearing in the strip.

The ladies are a Wiemaraner and a Boykin Spaniel, based on a reader's pets. She asked for spaniel to appear younger than the other, and I probably went a little too drastic with that. Oops?

Another pet request came in the form of a black cat. The reader used the word "lucky" in his post and I decided to adopt it for the character, since black cats and luck are so intertwined.

Finally, I had a request for a leopard. When I grabbed a source image, I was amused at how apathetic the kitty looked and that ended up defining this character.

I've quite enjoyed designing all these new characters, and I may keep up with the fan requests even though I don't have a background character scheduled to appear in the strip for quite a while. I like the fun drawing challenge!

Wednesday, May 11, 2011

The Sycophant - growing the brand?

So I just registered thesycophant.com. Suddenly the title of my blog means so much more! You know what this also means? I HAVE TO JUSTIFY MY PURCHASE! If I'm buying a domain like this, I'd better put it to good use. Cartooning side project? Oh, imagine the possibilities...

I've long since claimed my next project will be The Haters Club, a name which began as in-joke in my old social circle. I love that title. It's fun. It sets the tone for my humor right away. It's... common enough to be used by a few websites.

Well, then, I just registered a viable alternative... which is *also* based on an in-joke from that blissful time of my life. The Sycophant may not bring the hate as much, but it does make for a great title anyway - and I adore the implications that come from that word as well! Plus, when you google "The Sycophant," it seems I'm the first one to claim the title for his project. (Not counting some lame myspace account that somehow outranks me in Google's eyes.)

Now... what could The Sycophant be? It's prime for an observational journal comic, which is something I've wanted to try for a while now. It could signify a title character who bumbles through live in awe of everything around him. (Probably because he lacks viable talent and skill on his own.) I could take the name and use it to justify a site of nothing but fan art for people I admire! Yeah, that's not happening. Fan art is fun now and then, but making it your thing is the same thing as wasting all your artistic talent!

For now, the domain is set to forward you to the blog. (As I post this, the forwarding setting hadn't gone through yet, so those testing it out right away might not get the right result.) It'll probably redirect here for a while, as I've got a lot on my plate already - and there's also the problem of me not knowing the first thing about how to properly use a domain. Hosting? Servers? Site email? No clue how those things work at the moment. But one day, man. One day...

Oh, and I also registered chrisp.co, but I don't feel a need to justify that. That sucker was meant for me!

Saturday, November 20, 2010

The past and the future


The quarter has ended, and the plan was to get this blog going again once the first quarter at SCAD ended. Yeah, I had so many glorious plans. Work ahead! Copper Road! Do commissions! Study comics! TAKE OVER THE WORLD!

And then I blew out my finger.

I still have no idea why it happened. I'm a sequential artist! When *haven't* I drawn for hours and hours on end? Did I just draw wrong one day? All I know is that my finger ballooned up to three times its size around midterms, made me delirious with pain and ended up sending me to the emergency room. They took a x-ray, found nothing, decided to throw my finger in a splint, give me anti-inflammatory drugs and send me to a specialist. By the time I got my appointment with the specialist, the swelling had gone down but the finger remained sensitive. The specialist gave me steroids and said we'll wait and see. The finger got slightly better, but was still gimpy enough that I couldn't do my classwork. I'm falling further and further behind. I'm starting to panic. I go back to the specialist for an answer. His expert diagnosis: "I have no idea." God. Dammit.

It's been well over a month now, and my finger remains damaged for no good reason. I had to take an incomplete in all my classes, with the assumption my finger would clear up so I could do the work before the break was over. I've had to scale back Precocious' drawing over and over, and now it looks like I'm going on a guest strip hiatus until I heal. If I ever heal. How did these wonderful SCAD times end up going so wrong? Bah! Bah, I say!

So that's the horrible past - what's the horrible future? I... I'm not really sure.

I've shut my finger down completely, meaning no drawing for at least another week. I hope and pray that stretch of time will be enough for healing, as I have that scary pile of make-up work to do and time is running out! Once I resume activity, the obvious blog solution will be to post my make-up work here as I do it. You can finally see my attempts to be a FOR REALS sequential artist! The only downside is blogging here could cause lots of double-posting to Facebook if I also set up a "critique me and help me get better" work folder there. This could all be avoided if the blog-facebook posting thingy was at all reliable! Bah again! We'll see...

When I start drawing again, I also have a pile of Precocious work to do. I have a long-overdue painting to finish. I have some Precocious art to do. I have to design some prints for a donation drive. I also have to actually DO Precocious comics at some point. *cough* That stuff should mostly be bloggable.

So, yeah... The blog will resume activity soon - somehow! (Just not for another week or so, due to the shutdown finger thing.) I'll have such a massive pile of work to do for the next TWO YEARS that I should have no shortage of things to share. I just need to get in the habit of SHARING my art, not hiding it from the world because IT IS NEVER GOOD ENOUGH. This should be less of a conflict as I improve my skills. In theory. Crud, I hope so.

When blogging resumes, I'll put an announcement up on the Precocious site. Until then, live in a state of anxious limbo. LIKE ME!

(Damn you, finger!)

Tuesday, July 20, 2010

Getting back on track


With *most* of the pressing SCAD stuff taken care of, it's time to resume being awesome. It seems like it's been a month since things were stable around here. Maybe it has? I'm not saying it's all stable now, but things are starting to fall into place and that's a very good thing.

I'm hardly out of the woods. This next month is devoted to dismantling my life and putting it into easily portable boxes that will be transferred to Savannah. It's a massive job, considering the clutter around here, but if I spread it out it will still allow time for productivity.

This is the week I learn to ride the bike again. I'm back to producing new strips, producing on the commissions and (hopefully) having enough material to get the blog running again. I've fallen a bit out of rhythm, so expect hiccups, but I hope to keep improving myself.

By the way, notice my awesome t-shirt? You should get one of your own!

Friday, January 1, 2010

New Years Revolutions


The unholy rebels in my soul have risen up to conquer the ruling procrastination regime of my brain. Death to the ivory tower eggheads! Up with productivity! Long live hope and change! Viva la revolucion!

Of course, such battles are long, bloody affairs with many casualties. (Sanity? First to go.) But we must fight for what is right and good! It hurts, but it's a good kind of hurt.

So now it's time for me to make some OFFICIAL resolutions for the new year. This is the day of optimism, and I intend to ride it! Here we go, with them in no particular order.

- I will keep Precocious going strong! This is intentionally open to interpretation, as changes may be in store. I want to keep going with the current format as long as I can, but I may have to scale things back slightly to fit in all these other resolutions. Don't panic yet! I'm just being cautious here. Ideally things remain as awesome as they are now.

- I will get my lazy butt into grad school. This one is major, as I've dilly-dallied far too long now. Granted, I've had my reasons, with all the chaos going on in my family. It's very hard for me to leave right now, but I've given myself over for two years now. I'm going to be in my 30's before I start school again no matter what, but 30 is way better than 31! (I'm also desperately in need of a change in venue.)

- I will find a way to start making money from my cartooning. This means designing shirts and setting up a store. I want to create a Precocious book as well, but that may have to wait until I'm in grad school. I should set up an shop, on etsy or somewhere, where I can sell prints and paintings. My birthday gift to myself should be a quality printer, which can enable me to create prints and such to sell! On the website side, I have to consider ditching Project Wonderful for a more paying ad service. I like PW because it helps other comics, but I'm not making close to what I could with my readership and pageviews. I should also start attending conventions to learn how I can one day *successfully* attend them as a vendor.

- I will do better to enhance my presence in the comic community. My horrid antisocial tendency might doom me, but I want to make myself known. This involves posting more on message boards, READING all those webcomics sites that I've been ignoring and becoming somewhat likable on twitter. I should reach out to other cartoonists and build more friendships. Once people know me, attending conventions becomes a little less intimidating!

- I will finish my Little Anxieties painting series. This can take all year, but I want it done. (Commissioned paintings do come first, after all!) If I get it done, I can start looking for galleries to display the series. (Getting into grad school might help me here!)

- I will work on improving and expanding my art skills. I want to learn how to use watercolors, so I can be like Bill Watterson! Ink and watercolor Precocious paintings make more sense than forcing acrylics to work like drawing. (Drawback: Watercolors and ink drawings do require me to mat them.) I also want to work on drawing furry. As I wrote a few days ago, I never set out to be a furry artist, but the fans sure seem to wish I was! This isn't just me giving in to pressure, it can potentially open up new illustration venues without starting from scratch and learning to draw comic humans. Human or furry, I must re-learn non-cartoony anatomy drawing. That would help me immensely, and likely make Precocious' drawing more dynamic.

- Like everyone else in history, I want to drop at least 10lbs. The stress from family crisis after crisis, combined with sedentary behavior has made me plump. I know I'm not fat, but any extra weight on my scant frame looks bad! I'd love to start exercising again, focusing on cardio, but I'll settle for better eating/living habits. When I visit the grandparents, I need to have more willpower - everything here is drenched in butter! If I have to start bringing my own snacks here, then so be it.

- I want to end this year better than how I started it. As you can see from these resolutions, many tie into each other. Getting into grad school gets me into a better environment, which enables my art skill-building and improves my health. Improved art and spirits help me find the energy to keep Precocious going AND do the extra work to get the store going and socialize. Becoming more social in the comic community gets me more readers and earns me invites to conventions, where I can make more bonds and potentially money! One good change encourages another.

So there we are. Let's check back in a year to see how I did. Heck, let's check back in two weeks, when grad school applications are due. (Good lord, I'm terrified!) My first test, of course, is probably my hardest one. Wish me luck!

Friday, November 14, 2008

He's on to me.

Today's Pearls Before Swine:

Pearls Before Swine

But it's even WORSE: I'm blogging to promote my venture into cartooning! What sort of fool would adopt *that* business model? My desire for a cardboard box will only ever be for shelter.

Anyway, today's focus has been on scripting the next batch of comic scripts. I have enough scripted now to take the comic to a GOOD stopping point on the website, as opposed to the poorly-drawn strip where Bud admits the majority of my cast is irredeemably evil. Of course, my first strip ended with the line, "all about the violence," and the stopping point strip ends with "war is awesome!" Man, I am going to be SO popular one day! Anywho, three more strips to draw out, six to ink and then it's scanning and updating time!

After those, I have zero intention to stop there. The following strip is easily the most complex one yet, so it scares me to death - but getting by it means THE ACTION IS IMMINENT! (The kids have to argue semantics first, dammit!) The "war is awesome" strip marks the approximate halfway point of the arc, so I'm happy with keeping it up as the current strip for a while. It allows me to build up a chunk of strips to upload at once, rather than having a few trickle in pathetically here and there.

Tuesday, October 14, 2008

Back to the easel

For some reason, I'm on a painting kick. When this happens, one must not fight it!

These paintings, while still consisting of chicks, makes a new direction that, frankly, scares the bejeebus out of me. I am painting fictional characters. MY fictional characters.

One of my long-term goals in life is to get my act together as a writer. I have stories of all sorts in my head - even in several formats! I have movies, novels, short story collections, graphic novels, plays and TV shows all bouncing about inside my brain. (Oh, and a comic strip, but you might have known that already.) Scariest part: If given the chance, I could tell you everything about them. My problem is that I never learned how to write. In hindsight, it makes sense due to my broken brain - but even with medication the best I can do is write a few pages before I wander off to pace around the room/yard/whatever. My writing folder is filled with documents that are a page and a half (10-point font, single spaced) and often end mid-sentence. How pathetic is that?

I'm a verbal creator. I talk to myself as I pace. I work things out this way. When I sit in front of a computer, the best I can do is throw out whatever I have on the surface-level of my brain and write until something distracts me. (Sometimes, like in this post, I write my distraction and hope the point eventually gets in there.) The problem isn't the same with art, as I am free to get up and bounce around the room as I work. I can flip the canvas/paper, move myself around to work from a different angle or even sprint around the studio to get out excess energy - while keeping my work in the corner of my eye. Writing is...sitting down and just writing. Weird.

Let me tell you that these posts often go through several revisions. (You'll when I *don't* go back to revise because the post is full of typos and makes little sense.) The joy of blogger is that editing doesn't show in the timestamp. Woohoo! Also, blogs tend to favor unfocused rambling. You'll note everything I've written outside of the first four sentences was not something I intended to write. I do this all the time. Only sometimes do I have the proper sense of shame to make me delete the blather.

Anyway! With me and writing, I know my stories inside and out. My tendency is to juggle several fully-formed characters, allowing their personalities to move the plot. This means that, if allowed, I can talk for HOURS on end about some hundred or so characters. Yeah.

My grand piece of writing is my most ambitious: Maquette, a story I call my opera! The characters in the paint sketches below all hail from Maquette. While they will hardly be definitive portraits - as with my painting the style is the main thing - I will do my best to capture what I can of these gals. It's weird to not that the first two characters I decided to take on are both noted for having physical abnormalities. Guess I just like to make things hard for myself.

You can also see more of how my paintings develop, as each painting is at a different stage. The first has had three passes to start figuring out the details. The second is on its second pass, starting to tweak the weakness from the initial sketch. It's still raw as hell and makes me cringe to share it. The last is the very first pass, showing how awkward and awful these things can look when I start 'em. You know what, I'm not going to show that last painting! It's not looking good, it may be scrapped, the character isn't a physical freak like the other two and - most importantly - showing that this character exists would be a *major* spoiler for my story. Those close to me already know the gal, but I have to think of future readers here.



This is Annelise Ellen Rose. Yes, she *does* introduce herself to people using her full name. In her defense, the Rose surname in insanely common in her area. She lives in the city of Rostelmain, in the territory of the same name. Rostelmain's name came from the merging of three towns: Tellersburg, Main Crossing and Roseton. A third of the territory is called Roseland. If you're a Rose - heh, A. Rose - you've got to do *something* to be memorable!

As noted several months ago on this blog (I'm sure you remember) I always want to put librarians into my stories. Annelise is my librarian on steroids - she runs the Maquette Archives, home of just about every bit of information the land has to offer.

Increasing the pressure: She's one of my all-time favorite characters. The woman is a force of nature. She is aggressive, ambitious and unrelenting in her pursuits - with a sharp sense of humor and no patience for weakness. When describing her personality, most characters would liken her to a wild animal. One would think a fox would appropriate, given that she's a striking redhead - but the general consensus is that a more vicious class of wild dog is needed. You know, she's a bitch. I love her. Underneath her tough exterior, she's... well, she's still a bitch - But a complex and deep character nonetheless!

Annelise is loosely modeled on Julianne Moore with a heavy dose of Kate Walsh. (I imagine Annelise speaking with the same cadence as Walsh's Addison on Grey's Anatomy.) As for the aforementioned physical abnormalities, the common description of Annelise is that every physical attribute of hers is out of proportion - but since it's all out of whack it somehow evens out! She has a slightly larger frame than normal women - just enough to be noticeable - with a strong bone structure supporting her. Her shoulders and hips are too broad. Her arms are more muscular than they should be. Her face is slightly out of sync, but not in a way one can explain. She wears giant, clunky corrective shoes that throws off her gait. Still, what could be a Frankenstein's monster thing still leaves her fairly attractive, if somewhat awkward. She has big honkin' glasses, yet they seem to be the key to make everything come together and look normal. This type of description gets imaginations going when put in novels. When I put MYSELF on the line to depict it? Fuck me, I'll do the best I can.



Next is Dania Koren, director of the Wizards School. (Yes, my characters are magical. Shut up!) In my world, on of the great saints, Charlotte Maquin, is quoted in the scripture as saying the more power a human has, the less human they become. The more ability a person has, the less humanity they exhibit. Dania seems to be a living example of this.

To an outsider, one would not believe Dania is a real person. She looks like a doll; with oversized eyes, porcelain skin and a disturbingly-thin frame. To add to the artificial look, she has a cranial implant that wraps around her hairline, looking somewhat like a permanent (if modest) crown bolted in place. She talks in a soft voice, almost in monotone. She *never* shows emotion, and her huge eyes seem to look right through you. It's like she has so much magic inside her that no room remains for humanity. And yet, she's loved by most around her. What gives?

Just because it's muted, doesn't mean her personality isn't there. Once people get to know her, they are no longer frustrated with her flat nature. Instead, they savor every hint of personality Dania can offer. Eliciting a slight smile is a victory. If she raises her voice at you, it's terrifying. The day she confirmed her place as a beloved figure was the day she embraced the students' nickname of her - "The Ice Queen" - and showed up to work with her white hair dyed ice blue. On her most recent birthday (she's 44) a large group of students dyed their hair to match. (I should note that in my stories there is a genetic quirk with some mages that causes some or all of their hair to grow in without pigment - so students often dye their "silvered" patches various wild colors.)

I really struggled to find a model for Dania. Trial and error has shown that launching into painting without *some* picture reference tends to end in horror. The final painting might not look at all like the picture - in fact it shouldn't, since the work has to be my own - but it's nice to have a reference for proportions. To find my model, I scoured the internet for over an hour. I looked for skinny models. I looked for porcelain dolls. I looked at anime characters, since Dania definitely has an anime look. No good. Nothing had Dania's signature ringlets hair style.

And then I smacked myself in the face. You know whose hair is similar to the style I want for Dania? NUMBER SIX FROM BATTLESTAR GALACTICA! You know, the show that has consumed my life for the past few weeks. Shesh, Chrispy! The model was right in front of me the whole time.

Damn, I can yammer on. I know I've said it before, but blogging is like having a conversation without have the other person there to tell you to shut the fuck up because no one cares.

Thursday, October 2, 2008

Such commitment I have to my public

Hey, Dana! Whaddup?

So there's an option on this thing to set a post date and time. Since I'll be out of town without the internet, how can I meet my goal of one worthless post per day(-ish)? Let's see if this feature is purely cosmetic or not!

The sketches I'm sharing are for an idea for a Halloween strip, in which the kids swap their trademark looks. The best Halloween costumes are so in-jokey that those not in the know think you are either a fool or are not costumed at all!

Up first is the boys trading off. Who would think the swapping of hair styles would cause such massive cognitive dissonance. Bud's hair spiked and Jacob's part is just... unnatural!



Not pictured: The paintbrush my blank canvas characters used to paint my spotted/blotched/freckled characters' conspicuous traits.

Time to hit the "publish post" button and see when this thing appears. It it pops up tonight... eh, fuck it.

Monday, September 15, 2008

Where the magic happens

I'm going to try and keep this daily posting trend going as long as I can! (I give this one more day before I fail.) The consequences of the trend: GLORIOUS FILLER!

I don't want to share the actual strips as they are completed, since they'll (hopefully) all be online in a few weeks, so when I'm being productive it means I have no stupid sketches to share.

Therefore, being the attention whore I am, I took photos of my work areas. Think of it this way: When I am rich and famous and awesome, you can all come back and look at the pathetic origins of Precocious. See, people one day might care! I'm sure of it! It's blogger solipsism plus artist arrogance! MY EGO IS OUT OF CONTROL!

Seriously, I spent a half hour earlier today Googling myself. I'm link #5 when searching for "Chris Paulsen" and #1 with "Christopher Paulsen." Woohoo! I'm also pleased that an image search for "Bud Oven" hits this blog as result #1. I'M #1! I'M #1! ROCK ROCK ROCK!

Anyway, on to the magical mystery tour...



My drafting table is located at the foot of my bed. If I was a hard worker, I could say I wake up, slide over and start working. In reality, I sit down to work, grow frustrated, slide over and cry myself to sleep. It's awesome in reverse!

While it normally isn't covered in comics laid out in an attention-whoring manner, the thing is always cluttered. The right side is the "staging area" - with templates, drawing supplies, my trusty ruler, a cutting mat and various knives. (This is an upgrade, as I used to keep my knife on the floor by my feet. No, really.)

I use a mechanical pencil for my drawing. It's whatever brand was offered at Costco. It's not top quality, but I'm used to its feel at this point. If you look at the comics, you can see some were done with red pencil lead and some with a blue. This is my damned if you do, damned if you don't situation...

The red lead is easy to find and I have a setting on my scanner allowing me to filter it out. This makes scanning a breeze! Problem is... the templates are no-copy BLUE, so I'd have to draw out my own templates. Also, the red doesn't erase, which is a BIG problem for someone still in the early stages of comic drawing. I don't even know how to draw my characters WALKING yet. If this last strip - with three characters walking in a line - was done in red, it would likely be an unsalvageable mess.

The blue lead is imported from Japan, since America has no use for STANDARD NO-COPY BLUE in mechanical pencils. I have several traditional no-copy pencils, but the constant sharpening drives me crazy. The problems with the blue is the cost and, uh, my scanner's complete failure to filter out THE UNIVERSAL NO-COPY COLOR! Still, a simple "select color range" in Photoshop easily bypasses that issue; and, most importantly, I can *erase* the blue! Despite all the hoops I must jump through to use it, erasing is enough to keep me a solid blue user now that I have it. I'm sure this story was very interesting to you.

If you look closely, you can see my attempt at drawing the comic in a block format in the pile. This format is the only way to fit the entire strip on my scanner at once. Drawbacks here mostly revolve around tracing errors. For that strip, I made the bottom panels too tall *and* managed to trace the template about one degree crooked. What that means is I spend the same amount of time correcting my shortcut as I would scanning the properly-sized templates twice. Yeehaw.

I also tried to fit two of the block templates on a sheet of Bristol board, only to learn I'm about a half-inch shy of the margins I need. The leftover from the sheet I used became a scratch pad for a few illustrations shared on this blog. If you examine the photo, you can see how my "For Sparky" illustration was made in parts and pieced together in Photoshop later. Only an artist would think this is cool enough to share. For everyone else: Doesn't it suck to learn that the magic is all man-behind-the-curtain lameness?



The light table - a brilliant birthday splurge for myself a while back - is where the lettering takes place. Using lines on the templates I bought as a guide, and splashing in some good ol' math, I came to the conclusion that my comic should have room for 14 lines of dialog space. I checked it out by analyzing an Ozy and Millie book and found... 14 lines of dialog space! Win!

With my standard set, I printed out a sheet with guide lines. Come lettering time, I throw the sheet under the comic, turn on the light table and it keeps my pen from straying. With the printed script at my side, I first do my lettering in pencil to see if it will fit. If it doesn't, I'll try to re-write the dialog or cut some lines on the spot. I do my letting with a .08 technical pen. Never one with any handwriting talent, this is still my weakest area. I can only assume I will gain skill through repetition.

For inking, I use a pen I found in a box of my father's art supplies from the 60's. As I am not an expert, my nib of choice is Hunt Globe 513 EF - which is a very adaptable nib, allowing for good control on thick and thin lines. I had used my dad's for years before I stabbed myself with it and broke it. (It was an accident, I swear!) It took months and several rejects before I found my model again. The company that produced the nibs had long since ceased to exist... as it had been gobbled up by pen giant Speedball. Turns out I can find my nibs hanging on a rack in friggin' Michaels now. It's convenient, but it just doesn't feel as special as it once did.

So there's my low-rent operation as it stands. One day I will have a real studio, with proper lighting. One day I will have a professional scanner, which can filter out the no-copy blue. One day I will have an assistant, whose job will be to create block templates correctly and scan my work so I can focus on being purely creative. (I hope.) One day I will be able to switch between nibs with ease - maybe even switching to using a brush like the pros - allowing me more depth in drawing. One day I'll be over my newbie jitters, with muscle memory and enough skill to produce better quality strips in a fraction of the time. One day, Precocious might actually be a real friggin' strip and not just a silly gleam in my eye.

Man, I hope that day gets here soon.

Sunday, August 31, 2008

A justification for navel-gazing essays

A forum like this, read by *maybe* four people - most of them forced by my needling or through guilt of ignoring me - is still a nice thing to have.

I think about the ezboard universe (now Yuku), where the bigger board personalities would create their own forum and posters would bounce between each newly-created in-group. What started as the internet cesspool that was/is Survivor Sucks - a collection of unwashed, unapproved and barely-moderated reality TV fans, either too stupid or too late to get into the exclusive Plant Sucks board membership - eventually exploded because the use of ezboard was so easy and the board was so open. Unlike the quality controlled land of Planet Sucks (my origin, and inspiration for the Realiiity.com message board I ran), everyone on ezboard knew the forum was for spillover - so they treated it as such. I've seen accounts describe the insanity and inanity as that of the old Wild West.

As with any community, personalities began to emerge as the major posters became familiar with each other. Around the, Sucks became *the* place to go for irreverent reality riffs - at least for those not early/awesome enough to get into the quality places. Once it grew big enough to have its share of board wars and cliques, something very strange happened: It began to splinter. Each board personality would go off and create their own ezboard, populated by the poster's friends, admirers, well-wishes and the occasional assailant. Sucks was *too* big and it required far more patience that I'd ever have to sort through it and get to the good stuff. By creating a splinterboard, you could invite the posters you liked and ban anyone you wished. Over and over this happened, until it was sort of a rite of passage. You get big on a board, you fork over $30 to get the "Gold" features needed and you get your own board for six months! Dozens of these boards existed, with their own rules, language and logic.

I was happy running my own kingdom at Realiiity, and had no desire to dumpster dive into the Sucks land - but not all of my friends felt the same. Eventually I was dragged into the mix to take part in what could be called the Survivor off-season Olympics: Spoofs! It was mostly a contest to out-funny and out-in-joke the other teams, making filtered and hand-picked talent from my group highly valued.

During this time Riii was having server issues, so I bit the bullet and created my own ezboard, flatly titled "Riii's Down Again." When the next Survivor off season arrived - a time when the show was off the air and boards had nothing to do except implode - I imported a crew to the "trash board" and claimed it was a splinterboard to get into Spoofs. We naturally crushed the competition, getting second only because we took two challenges off thanks to some board drama. (It's inevitable online - someone is always good enough to get through even the best bullshit filters, and all it takes is one of these crazies to bring a board down.) More importantly, we established a new board identity: Woeful House. As a frequent Waffle House patron in those days, I had used the diner to create a jokey team identity.

At the end of this spoofs, Woeful was getting visitors from the splinterverse and we were enjoying a fair amount of respect for our wit. To explain how a board of people who had never once posted on Sucks could be part of the splinterverse, I made my infamous remark: "If you have a huge ego, a mental condition and $30, you probably run a splinterboard."

Nowadays, we nutcakes blog. This circumvents the need to actually have followers or enough friends to sustain conversation. It's you and your ego, allowed to run wild! On message boards, you were only interesting if people replied to you. With blogs, you can be the entire fucking universe!

It's why I resisted blogging for so long. No one really cares about the emotions and stuff of other people unless there is a personal connection or the content is especially well-written. I wasn't going to blog just blog about myself. It's sickening! There had to be a reason for me to be interesting, which began to emerge as I fixed my head and got back into art. Still, it wasn't until I was tasked with learning how to stylize one of these blogs that I started this thing. It gave me a place to practice and a location where future fans could find me. While I'm of no interest to anyone at the moment, should I ever win over people with my art or cartooning, I thought it would be cool for them to see me as I was just starting out.

I was blogging, intentionally, to no one. With Precocious, I want my 60-strip archive done before I began with my daily publishing because new readers need to see enough to justify a return visit. If I go advertising myself around, and interested parties come to see only three strips on the site, what is there to tell them the strip will continue? The internet is littered with webcomics that didn't even last a month. I have to show the audience I am serious and professional. I want to confirm to everyone that I am the new badass on the scene! The same principle is at work on this blog. You don't advertise something without a product being it! (If you have a soul, that is.) By creating blog archives, I'm proving my determination to achieve eventual awesomeness. I blog for the future.

It's not always pretty. For every artistic update with insightful commentary, there is another post full of navel gazing, emotions and desperate attempts to be interesting. It's weak, but it's something. I'm a temperamental artist who tends to work in inspired bursts. That's great, but they are unpredictable. If weeks or months go by before I do a big update on my website, then people will only check it every few months - if they even remember I exist! The blog is proof I am trying, whether I am active or not. Sketches prove I am doing lots of conceptual work on my projects, even if the final result gets postponed. Even if the post is the most self-indulgent garbage out there, it's something to read and an indication I'm alive.

To think that some future person would spend and afternoon going through this blog to see all my old sketches is comforting. Before, I would hide or destroy my old stuff, because my skills were not as strong and it was embarrassing. Now I see the value in showing the process. I love reading other artist's commentaries on their work, and I hope people will enjoy reading mine. I'll assume they'll skip the essays that don't have pretty pictures with them, which is generally a good thing. The only thing worse than blog emotion is AGED blog emotion. Lame!