My painting has turned to the side of busy! Don't fret too much, as much of the background is my version of underpainting. I intend to lighten it up a bit and embolden the foreground. How? I don't know. When? Whenever I want to avoid working on the comics?Oh, and if you're wondering, the feeling I'm going for is driving the interstate through Atlanta when not familiar with the rout, on which the left and right lanes may veer off or end at any time. It's so obvious, isn't it?
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