The main tweaks that are going into transitioning that panel to a watercolor composition are changing the tree into a weeping willow so the leaves can reach into the frame and figuring out the position of Quincy's legs. The original pose is in the sketch on the left, with an alternative on the right. I've had fun drawing the spread leg pose recently, and I think it could work here if I figure out what to do with his tail, as it wants to occupy the same space. The final consideration is how close I pull in on Quincy. This will be settled at the ink stage, I guess. I'd love to go to the edge of the paper, but that seriously causes problems for anyone who'd want to frame the art.
I'm glad I got another commission! I was worrying my opportunities had already dried up.
-c
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